The city of Rome will have to September 14 and in the Gallery Borghese a monographic sample with the works of Antonio Allegri known as Corregio, one of the three artists of the call, along with Rafael and Miguel Angel, the triada of the renaissance. The supervision of Rome Museums brings the works of this artist of the one that never a monographic exposition had been carried out.
Viajesdeeuropa18072008 Already the contemporaries of this author considered it as one of the largest exponents of the painting of the epoch. At any rate never so known as the other two representatives of the previously mentioned triada. Do already large scholars of the art of every time were asked why having its works a very notable quality the art of this painter was so little acquaintance. The only way to spread it is that Correggio did not work in Rome in an epoch in which only the artist that worked in the capital they had sufficient recognition.
In the sample we will be able to observe around seventy masterpieces of this author that include it more noticeable of their production: paintings, drawings and works of the antiquity. Also we will see how various their art from the epoch in which I arrive at Rome. That the author was in Rome he has been known for the analysis of their works that from a determined moment they have an unmistakable one marchamo of the art that I was done in the capital. Not documentary evidence exist nevertheless of how the author was in the same one.
It cured by Anna Coliva, the exposition in the Gallery Borghese has as an objective to invest the problem and to begin exactly of Rome, not only as the physical place of the exposition, but also like an ideal of comparison and the focus of the problem: from an absence, The lack of documentary evidence, in order to confirming its presence: the idea of Rome in the work of Correggio and the Distinctive character of its Roman interpretation of “forms”.
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